One of the conundrums of contemporary globalised life is how to be in relation to eco-humanitarian crises from afar. Where this ‘from afar’ is mostly reserved for people living in the global north. Balls stages this conundrum through an encounter with the statistical truth that “Every 30 minutes a farmer kills themselves in India.’ Since 1994 over 400,000 Indian farmers have killed themselves, many of whom cotton farmers. The largest wave of recorded suicides in the world.
This work is not an attempt to propose a solution to this crisis. This is not a call to action. It is not a commentary or an explanation. At best it is an attempt to digest what we already know is true at the same time it is also a prophecy from the deep past and about the future of humnaity.
Balls is a part of the larger Birth of Cotton project. Birth of Cotton is a long term multidisciplinary theatrical research project about the future of human-nature relationship and its collusion with western colonialism, epistemic violence, capitalism and extractive mechanisms that have been at play in the cotton farming sector in India. In this project we explore the longterm history of cotton farming in India, farmer suicides in India and the emergence of new forms of nature, such as toxic environments, transgenic cotton and other developments in synthetic biology.
Made as Intimidation Tactics by George Demetriou, Julia van der Putten and Agat Sharma
*The images are from a rehearsal and not the final show.